Executive Producers Sally Headley and Jerry Pender
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About Casey at the Bat
"Casey at the Bat: A Ballad of the Republic Sung in the Year 1888" is a baseball poem written in 1888 by Ernest Thayer. First published in The San Francisco Examiner (then called The Daily Examiner) on June 3, 1888, it was later popularized by DeWolf Hopper in many vaudeville performances. It has become one of the best-known poems in American literature. The poem was originally published anonymously (under the pen name "Phin", based on Thayer's college nickname, "Phinney").
A baseball team from the fictional town of "Mudville" (the home team) is losing by two runs in its last inning. Both the team and its fans, a crowd of 5,000, believe that they can win if Casey, Mudville's star player, gets to bat. However, Casey is scheduled to be the fifth batter of the inning, and the first two batters (Cooney and Barrows) fail to get on base. The next two batters (Flynn and Jimmy Blake) are perceived to be weak hitters with little chance of reaching base to allow Casey a chance to bat.
Surprisingly, Flynn hits a single, and Blake follows with a double that allows Flynn to reach third base. Both runners are now in scoring position and Casey represents the potential winning run. Casey is so sure of his abilities that he does not swing at the first two pitches, both called strikes. On the last pitch, the overconfident Casey strikes out swinging, ending the game and sending the crowd home unhappy.
Thayer said he chose the name "Casey" after a non-player of Irish ancestry he once knew named Daniel H. Casey, and it is open to debate whom, if anyone, he modeled the character after. It has been reported that Thayer's best friend Samuel Winslow, who played baseball at Harvard, was the inspiration for Casey.
Another candidate is National League player Mike "King" Kelly, who became famous when Boston paid Chicago a record $10,000 for him. He had a personality that fans liked to cheer or jeer. After the 1887 season, Kelly went on a playing tour to San Francisco. Thayer, who wrote "Casey" in 1888, covered the San Francisco leg for the San Francisco Examiner.
Thayer, in a letter he wrote in 1905, mentions Kelly as showing "impudence" in claiming to have written the poem. The author of the 2004 definitive bio of Kelly—which included a close tracking of his vaudeville career—did not find Kelly claiming to have been the author.
A month after the poem was published, it was reprinted as "Kelly at the Bat" in the New York Sporting Times. Aside from omitting the first five verses, the only changes from the original are substitutions of Kelly for Casey, and Boston for Mudville. King Kelly, then of the Boston Beaneaters, was one of baseball's two biggest stars at the time (along with Cap Anson).
In 1897, the magazine Current Literature noted the two versions and said, "The locality, as originally given, is Mudville, not Boston; the latter was substituted to give the poem local color."
DeWolf Hopper gave the poem's first stage recitation on August 14, 1888, at New York's Wallack Theatre as part of the comic opera Prinz Methusalem in the presence of the Chicago and New York baseball teams, the White Stockings and the Giants, respectively; August 14, 1888 was also Thayer's 25th birthday. Hopper became known as an orator of the poem, and recited it more than 10,000 times (by his count—some tabulations are as much as four times higher) before his death.
"It is as perfect an epitome of our national game today as it was when every player drank his coffee from a mustache cup. There are one or more Caseys in every league, bush or big, and there is no day in the playing season that this same supreme tragedy, as stark as Aristophanes for the moment, does not befall on some field."
On stage in the early 1890s, baseball star Kelly recited the original "Casey" a few dozen times and not the parody. For example, in a review in 1893 of a variety show he was in, the Indianapolis News said, "Many who attended the performance had heard of Kelly's singing and his reciting, and many had heard De Wolf Hopper recite 'Casey at the Bat' in his inimitable way. Kelly recited this in a sing-song, school-boy fashion."
During the 1980s, the magic/comedy team Penn & Teller performed a version of "Casey at the Bat" with Teller (the "silent" partner) struggling to escape a straitjacket while suspended upside-down over a platform of sharp steel spikes.