FRUEHLINGSOPFER aufgeführt von She She Pop und ihren Müttern

Gemeinsam mit den eigenen Müttern werden die Performerinnen von She She Pop die Performance Frühlingsopfer nach Igor Strawinskis „Le Sacre du Printemps" zur Aufführung bringen. Im Mittelpunkt der Performance steht die Frage nach dem weiblichen Opfer in der Familie und in der Gesellschaft. Dafür überblenden She She Pop bewusst die religiöse Sphäre des rituellen Menschenopfers aus „Le Sacre du Printemps" mit der ethischen Frage des persönlichen Verzichts zwischen Frauen und Männern sowie zwischen Müttern und Töchtern. THE RITE OF SPRING as performed by She She Pop and their mothers Together with their own mothers, She She Pop are staging their version of The Rite Of Spring based on Igor Stravinsky's "Le Sacre du Printemps". The performance focuses on the subject of female sacrifice in the family and in society. In the piece, She She Pop consciously superimpose the religious sphere of ritual human sacrifice from "Le Sacre du Printemps" with the ethical question of personal self-denial between women and men, as well as between mothers and daughters. Concept: She She Pop By and with: Cornelia and Sebastian Bark, Heike and Johanna Freiburg, Fanni Halmburger, Lisa Lucassen, Mieke Matzke, Irene and Ilia Papatheodorou, Heidi and Berit Stumpf, Nina Tecklenburg. Video: Benjamin Krieg. Set: Sandra Fox. Costumes: Lea Søvsø. Musical Collaboration: Damian Rebgetz. Choreographic Collaboration: Jill Emerson. Assistant and Dramaturgical Collaboration: Veronika Steininger. Light Design and Technical Direction: Sven Nichterlein. Sound: Florian Fischer. Video Assistant: Anna Zett. Trainee: Mariana Senne dos Santos. Production/PR: ehrliche arbeit- freies Kulturbüro. Company Management: Elke Weber A She She Pop Production. In Co-Production with HAU Hebbel am Ufer, FFT Düsseldorf, Tanzhaus NRW, Mousonturm Frankfurt, Kaserne Basel, brut Vienna, German Language Theater Festival of Prague, Archa Theater Prag, Kyoto Experiment and Théâtre de la Ville/Festival d'Automne à Paris. Residency funded by Kyoto Art Center, Kyoto Experiment and the Goethe Institute. Funded by the City of Berlin -- Department for Cultural Affairs and the Hauptstadtkulturfonds Berlin. Premiere: April 2014, HAU, Berlin.