• Green Lantern (2011) -- Mishandles a flashy character with inconsistent results, 5/10.
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~~ Truncated Review Script ~~
Full review here: http://letterboxd.com/jonpaula/film/green-lantern/1/
This June 2011 superhero effort from Martin Campbell was a high profile disappointment for DC Comics after the $200 million dollar production only earned $219 million at the box office. The PG-13 rated story opens with a CGI-heavy prologue which unloads an overbearing amount of exposition. Those unfamiliar with the film would be forgiven for assuming it's an animated feature, rather than live-action; the excessive use of overly glossy visual effects is that bad.
The handsome Ryan Reynolds stars as an irresponsible fighter pilot who is granted a mysterious alien ring that gives him fantastic abilities, and a place among an intergalactic police force known as the Green Lantern Corps. I've been a fan of Ryan since his early days on "Two Guys, A Girl, And Pizza Place"... and he's certainly capable here, playing a reckless womanizer who is baffled at his new gifts. But besides a tragic childhood event, we don't learn much about him. He shares a few moments of fleeting chemistry though, with his future off-screen wife, the timelessly beautiful Blake Lively.
When the few action sequences do arrive however, they're particularly inventive and generally stimulating - especially a climactic face off against a cloud of evil incarnate that threatens to consume Earth itself. "Green Lantern"'s extended cut opens with a decently emotional chapter involving the tragic death of our protagonist's father - but it never should have been re-included, as a shorter flashback only a few minutes later conveys the same information in a much stronger way. The scene that separates these two redundant sequences is a arrestingly shot and thrilling aerial dogfight that feels like a fun, modern-day twist on "Top Gun" - where Reynolds attempts to out think and out maneuver AI-flown aircraft.
When the focus is on Reynolds, the narrative is compelling, and more importantly: relatable - but frequent cutaways to these purple-skinned space police ruin the pacing of the lengthy two-hour film. An over reliance on computer effects sees most of these non-human characters existing decidedly at the bottom of the uncanny valley - making it hard to take any of their dialogue seriously. The actual shooting style of the film works well though, framing our actors in wide two-shots with colorful backgrounds, while the score from James Newton Howard fits the mood appropriately.
Much like its central character, this movie has flashes of greatness - that are unfortunately held back by its own shortcomings. The concept and imagery is certainly interesting though, which is why a planned reboot for 2020 might not be a terrible idea. I enjoyed seeing this picture, even if it wasn't anything special. "Green Lantern" mishandles a flashy character with inconsistent results. thought it was ALRIGHT.
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