Horace Walpole’s The Mysterious Mother: A Staged Reading
Wednesday, May 2, 2018
Yale Center for British Art
As part of the year-long celebrations of the tercentenary of Horace Walpole’s birth, the Lewis Walpole Library and the Yale Center for British Art jointly presented a staged reading of his tragedy The Mysterious Mother (1768). Completed just a few years after Walpole’s celebrated gothic novel The Castle of Otranto (1764), this under-appreciated tale of incest and intrigue was initially circulated only among the author’s friends. Walpole never permitted it to be performed during his lifetime except as a private theatrical.
Produced by Cynthia Roman, Curator or Prints, Drawings and Paintings, The Lewis Walpole Library
Abridged by David Worrall, Emeritus Professor of English at Nottingham Trent University
Directed by Misty G. Anderson, Lindsay Young Professor of English and Adjunct Professor of Theater and Religious Studies, University of Tennessee
A talk-back session moderated by Catherine Sheehy, Professor of the Practice of Dramaturgy and Dramatic Criticism, Yale University
CAST:
Countess of Narbonne: Georgina Lock, Senior Lecturer, School of Arts & Humanities, Nottingham Trent University
Count Edmund, her Son: Carlos Guanche, Yale TC ‘20
Florian, his friend: Gilberto Saenz, Yale ES ‘19
Adeliza: Chelsea Phillips, Assistant Professor of Theater, Villanova University
Benedict, Friar: Charlie Gillespie, Doctoral candidate in Religious Studies, University of Virginia
Martin, Friar: Justin Crisp, Doctoral candidate in Religious Studies, Yale University
Peter Porter: Dale Townshend, Professor of Gothic Studies, Manchester Metropolitan University
Servant: Stephen Clarke, Independent Scholar
Prologue: Jill Campbell, Professor of English, Yale University
Epilogue: Misty G. Anderson, Lindsay Young Professor of English and Adjunct Professor of Theater and Religious Studies, University of Tennessee
Digital Set Designer: Alice Trent, MFA in Lighting Design, University of Tennessee