The first movement, Allegro moderato, opens with a plaintive, five-beat motive in the solo violin which, even at this early stage, creates a sense of metric imbalance from having been placed into a 4/4 meter. It is spun into a full-fledged melody in G minor which pushes onward, eventually punctuated by episodes of abrupt changes in tonality, rhythmic impulse, and mood. The built-up energy and perfunctory close of the first movement is rapidly dissipated by the arrival of the second, Andante assai, which is characterized by a wistful and perhaps nostalgic, unpretentious and songlike theme in E flat major. The orchestra provides a gentle, harmonically unobtrusive accompaniment as the violin's theme is varied and developed -- and later, gear-shiftingly interrupted -- in the course of the movement. The roles are reversed in the final bars as a thematic fragment and its pizzicato accompaniment, now provided by the solo violin, recapture the initial mood as they fade into quiet. The final movement, Allegro, ben marcato, emerges in triple-metered dance-like gestures, at times with the genteel reserve of a waltz, at others with a more rustic, uninhibited character. Episodes of grotesquerie and dark comedy spring forth and propel the movement forward toward its steely con brio, tumultuous close.
0:00 - Allegro moderato
11:02 - Andante assai
21:59 - Allegro, ben marcato
Performed with Orchestre symphonique de Montréal
Charles Dutoit, conductor